It appears that some people in film are nostalgic for the old days of movie magic, with Hugo and The Artist topping the “best of lists” of almost everyone. I didn’t know much about The Artist before viewing it last night, except that it was silent, in black and white, and charming. And, oh man, is it charming!
General note: As Albert expresses himself as male in the film, I will use the male pronoun where applicable, even though it is ambiguous if Albert identifies as female or male.
So as I’m not going to be able to see all the nominees this year or review them before the Oscars, I decided I would try to see the films I wanted to watch the most, with Albert Nobbs being first on the list. I had heard buzz about Glenn Close’s performance as a woman dressing and working as a male in 19th Century Dublin. Apparently Albert Nobbs has been a passion project for Ms. Close since starring in a stage version back in 1982. In addition to starring, Close produced, co-wrote, and co-penned the main song for the film. Her love for Albert, the shy, somewhat awkward waiter clearly shows in her performance. Despite not quite understanding the appeal of Helen Daws, Albert’s prospective wife, and finding scenes or subplots unnecessary, I couldn’t take my eyes off Albert and I wished with all my heart that he would open his little shop and find a wife to work the counter. Continue reading →
The Help by Kathyrn Stockett was seemingly read by every book club member in America the last few years. When I first heard about the novel, I knew I would never read it, at least not for pleasure. The story of “the help,” even a fictional one, should not be told by the white children under their care, especially without permission to do so. Those white children should tell their own stories and feelings about how they were raised, not assume to understand the experiences of the women who raised them. And for the story to be yet another white protagonist fairy tale of how poor black women and their apparently absent and/or violent black men obviously couldn’t get civil rights for themselves? Egregious. Obviously, I don’t mean that whites played no impact on the Civil Rights movement or have no claim to say they did. But The Help is essentially the story of patronizing, know-better whites who help poor suffering put upon persons of color gain freedom. It’s an old trope (see also: Avatar, Dances with Wolves) that is not only offensive, it’s patently untrue in the case of Jim Crow South. Which is why the Association of Black Women Historians, among others, decided to call out the gross historical inaccuracies of The Helpwhen the inevitable film was released. Continue reading →
Ron Swanson: “Never half-ass two things. Whole ass one thing.”
Apparently, Gary “Jerry” Gergich is a Leap Year baby and it’s his sweet sixteenth birthday. Happy Birthday Gary/Jerry! Except that Leslie forgot! Leslie never forgets! She has OPCD and can do ‘anything always all the time’ (TM). Apparently working on both her job and her campaign has left her frazzled to the point that she is now wearing sweaters with old candy stuck to them, or as she called it ‘lollipopping’ (“All the kids are doing it!”). The kids are doing it and don’t google it. You don’t want to know the myriad of ways that people use that term. I’M NOT KIDDING, DON’T DO IT. Continue reading →